Reference: Krom Sinlapakorn (1968), Phra Rachawang lae Wat Boran nai Jangwat Phra Nakhon Sri Ayutthaya (Fine Arts Department).
No 1: The vihara wall, made of bricks and mortar, width 26 metres, length 50.40 metres, height 2 metres, 80 cm thick, one door on the east and west sides, 1.60 metres wide, two doors on the north side, 1.60 metres wide, are old walls.
No 2: Platform in brick-and-mortar in front of the vihara, width 1.50 metres, length 4 metres, and about 1.50 metres high.
No 3: Vihara facing east, formerly a royal residence of King Suea, later converted to a vihara, made of bricks and cement, width (x) metres, length 28 metres, leaving only the walls of the vihara on all four sides with similar Gothic doors as the Dusit Sawan Thanya Maha Prasat Throne Hall in Phra Narai Ratchaniwet at Lopburi. There are five window openings on each side, 1 metre wide, 2 metres high, and there are lamp compartments in the shape of the Bodhi leaf, four on the long side, three on the wide side, width 47 cm., height 92 cm.
No 4: The base of the main Buddha image was originally a pedestal built of bricks-and-mortar, 3 metres wide and 5 metres long. The main Buddha image was utterly destroyed.
No. 5: Kiatikul School, a public school, asked to rent the temple land for 360 Baht per year, with elementary school level 1 to high school year 6.
No. 6: A small vihara, built in the Ayutthaya period, made of brick-and-mortar, 11 metres apart 3.40 metres wide and 4.60 metres long.
No 7: A damaged square chedi, made of brick-and-mortar, from the Ayutthaya period, about 6 metres high with a 2.60 metres broad base, 1.60 metres from the vihara wall.
No 8: The wall of the ordination hall, 2.40 metres from the vihara wall, made of masonry, 18 metres wide, 34.40 metres long, built in the Rattanakosin period, with an expensive door on the east, 1 metre wide, 40 metres high, and the south has two entrances, 1.40 metres wide.
No 9: Boundary stones from the Ayutthaya period. There are eight stone plates, width 34 cm, length 54 cm, located on a small square brick base, made in new cement, 80 cm high.
No 10: Ordination hall built in the Rattanakosin and Phra Achan period - was restored in 1929 CE. The chapel is 8.40 metres wide, 19 metres long, facing east. At the front, there are two entrance doors, 1 metre wide, three doors, 1.80 metres wide, 2 metres high. The side door is 1 metre wide and 1.40 metres tall. Along the middle wall of the Ubosot, in the south, there is a bronze Buddha image in the attitude of offering offerings. Gilded in Ayutthaya style, 2 metres high, which King Mongkut invites from Wat Sala Poon. On the opposite side, on the north side, there is a bronze Buddha image in the posture of the chairman of forgiveness in Ayutthaya style, but a new head was cast. The pillars of the chapel are made in brick-and-mortar. There are four pillars on the north and south sides.
No 11: The base of the main Buddha image, made of brick-and-mortar, 4 metres long and 4 metres wide, 1 metre high, with the main Buddha image brick-and-mortar from the Rattanakosin period in the attitude of forgiveness with a lap of 1.50 metres, height 2 metres on the back, and there are Buddha images made of brick-and-mortar in the attitude of subduing Mara from the Rattanakosin period, the lap width is 70 cm, the height is 1.10 metres, arranged in rows, totalling 20 pieces.
No 12: Chedi, 4.80 metres away from the ordination hall, made of brick-and-mortar, Ayutthaya style, 3 metres wide and long on each side. It is a small square chedi, about 5 metres high. The top is broken.
No 13: The temple wall is made of brick-and-mortar. The east and south sides are destroyed. The west side is 67 metres wide the north side is (x) metres long. The front of the temple has a doorway 1 metre wide. This entrance has a small tilted pavilion with a width of 2 wa, length of 4 wa, the height of 4 wa and a clay tile roof. The chofa consist of Bai Raka decorated with stained glass and a damaged front. There is a sign that reads the temple name. At the front of the temple are carved images of fans, water pots and kettles, decorated with green and white glass patterns and engraved wooden numbers and Thai characters.